valeria2067:

kenbran:

Man, I bet!

Good on him for standing up for the fans and calling out the lazy media trope of “screaming fangirls” ruining “real” culture.

I hope he gets to sleep for a month, now.

(via ignorus)

aconsultingdetective:

∞ Scenes of Sherlock

[I thought it was Sherlock.]

(via rox712)


french open 2014

french open 2014

(Source: duskybatfishgirl)

piningjohn:

onthelosingside:

'i think it could work'

image

'but i guess john doesn't'

'he doesn't feel things that way'

image

'I don't think'

(via bakerstreetgiggles)

Is Sherlock Watson good enough for you?

couldntpossiblycomment:

I just realized that in this godforsaken scene:

image

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When Sherlock says “I think it could work”

He’s saying I think the name Sherlock Watson could work”

And then John, still laughing, realizes what he just heard and does a sort of puzzled look back up at Sherlock:

image

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And Sherlock just:

image

image

image

And in conclusion, we’re not exactly looking at an aborted declaration of love.

(via andrealein)

jupitereyed:

NOW IT MAKES PERFECT SENSE WHY SHERLOCK WAS SUGGESTING SHERLOCK AS A GIRL’S NAME BEFORE IT WAS CONFUSING LIKE SHUT UP SHERL THAT DOESN’T MAKE SENSE BUT NOW IT DOES BECAUSE OH MY GOOOOOOD (“Sherlock Watson”) “IT COULD WORK” FUCK THIS PEACE OUT I AM DONE

(via lordofthejohnlock)

mild-lunacy:

musthaveblackedout:

fuckyeahfightlock:

So I honestly can’t believe I’ve never seen anyone talking about the art direction of this scene. If I’m repeating something, Ah,well. But I’ve honestly never seen it pointed out that this is the very first time we see Mary, and there are three important things here:
Mary reaches for John’s hand. John takes it, of course—he is used to being offered comfort for his loss, by now—but he is not reaching out to her for comfort in his sadness. She is inserting herself into his grief. Reflexively, he lets her.
We only see the back of her. It’s unusual to introduce a major protagonist any other way than by showing their face pretty much immediately. A major antagonist, however…a baddie…well, they often are introduced in a cloud of cigarette smoke, from a distance, in the shadows, as a mysterious voice on a phone, or in some other way that doesn’t tell us right away who they are. Our first glimpse of Mary gives us only the most vague information about her. Obviously a woman, obviously someone John is close to, as he holds her hand. Other than that…who is she? We don’t know.
Finally, it’s no mistake she is wearing a long, grey coat which flares slightly from the waist, and a blue scarf. But they are paler shades of those colours than Sherlock’s coat and scarf were, because Mary is but a pale imitation of the person we are used to seeing standing beside John Watson (even once, when they were handcuffed together, holding John Watson’s hand in a manner similar to what we see here). Her coat and scarf look cheap, “less than,” and her denim jeans are “less” than Sherlock Holmes’s designer trousers. Her dark hat is a visual echo of Sherlock’s dark hair. This whole shot is set up not only to remind us that Sherlock used to stand here at John Watson’s side, but also that This is some lesser, fake, replacement-Sherlock standing at John Watson’s side, and whether consciously or unconsciously, John has chosen a pale imitation indeed.

This

is how

the show

introduces

Read More

mild-lunacy:

musthaveblackedout:

fuckyeahfightlock:

So I honestly can’t believe I’ve never seen anyone talking about the art direction of this scene. If I’m repeating something, Ah,well. But I’ve honestly never seen it pointed out that this is the very first time we see Mary, and there are three important things here:

Mary reaches for John’s hand. John takes it, of course—he is used to being offered comfort for his loss, by now—but he is not reaching out to her for comfort in his sadness. She is inserting herself into his grief. Reflexively, he lets her.

We only see the back of her. It’s unusual to introduce a major protagonist any other way than by showing their face pretty much immediately. A major antagonist, however…a baddie…well, they often are introduced in a cloud of cigarette smoke, from a distance, in the shadows, as a mysterious voice on a phone, or in some other way that doesn’t tell us right away who they are. Our first glimpse of Mary gives us only the most vague information about her. Obviously a woman, obviously someone John is close to, as he holds her hand. Other than that…who is she? We don’t know.

Finally, it’s no mistake she is wearing a long, grey coat which flares slightly from the waist, and a blue scarf. But they are paler shades of those colours than Sherlock’s coat and scarf were, because Mary is but a pale imitation of the person we are used to seeing standing beside John Watson (even once, when they were handcuffed together, holding John Watson’s hand in a manner similar to what we see here). Her coat and scarf look cheap, “less than,” and her denim jeans are “less” than Sherlock Holmes’s designer trousers. Her dark hat is a visual echo of Sherlock’s dark hair. This whole shot is set up not only to remind us that Sherlock used to stand here at John Watson’s side, but also that This is some lesser, fake, replacement-Sherlock standing at John Watson’s side, and whether consciously or unconsciously, John has chosen a pale imitation indeed.

This

is how

the show

introduces

Read More

(via loudest-subtext-in-television)

notmydate:

Browsing through my reaction gif folder I’ve come to the conclusion I’ve got a reaction for just about every occasion:

Considering and approving:

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Apologetic:

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Modest agreement with praise:

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Identifying a potentially provocative remark:

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Seems legit:

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Doesn’t seem legit:

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Definitely ‘yes’:

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Or not:

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Happy happy happy:

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Sad sad sad:

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Let me love you:

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Or not:

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Count me in:

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Or maybe not:

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Having a bad hair day:

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Feeling pretty fine:

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Having a blast:

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And there you have it:

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(via rox712)

kinklock:

do not fall in love with people like me. I will take you to flats, and restaurants, and crime scenes, and deduce you in every beautiful place, so that you can never go back to them without hearing me like sad violin music in your head. I will make you watch me jump off a building. And when I leave you believing that I’m dead for three years and you move on which will literally make me do drugs, you will finally understand, why I go by my middle name to sound cooler

(via loudest-subtext-in-television)

deaded:

you told me once. that you weren’t a gay show. sometimes I didn’t even think you were joking but let me tell you this. you were. the gayest. most gayest gay show. that I have ever seen and no one will ever convince me that johnlock was a lie so. there.
you were so gay and I owe you so much. but there’s just one more thing one more thing one more miracle sherlock for me dont. be. straight. would you do that for me just for me. just stop it. stop this.

(via loudest-subtext-in-television)